Let me show you how art and culture drive technological development.
Let me show you how art and culture drive technological development.
I found some of your life: someone found a memory card from a camera in a taxi, and is posting a photo a day, narrating as though he’s the photographer. Ethically really iffy (would you like it if it was your photos?) but such a cool idea!
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At last week’s AI STORIES workshop, Gabriele de Seta led a workshop exploring Butterflies.ai, a social media platform where all the users are AIs. Gathering a group of researchers in a room for a few hours to explore and discuss a specific genAI platform turns out to be a really […]
When I studied literature we mostly read the classics. Great literature, the canon. But that’s not necessarily what most people actually read. What if instead of comparing AI-generated literature to the literary canon, we tried comparing it to super popular and commercial forms of literature instead? Like the folkebøker that […]
Synthetic media is a current popular term for AI-generated videos, texts and images. I think the first use was only a few years ago in 2018, but I couldn’t find an overview of its use so thought I’d cobble one together here, mostly because I like Elena Pilipets and her […]
OpenAI plans to charge $20,000 (USD) a month for an AI agent that can do “PhD level research”. Maybe all the PhDs and postdocs recently fired by DOGE should band together and sell their services as “AI agents” – apparently some people will pay more for robots than people. At […]
This is my original Norwegian draft of an essay published in the Danish foreign policy magazine Udenrigs today as part of a special issue on AI and foreign policy. I argue that AI is influencing the way we tell stories, and more seriously, that there is a risk of this […]
In 2022 I learned about FAIR data, the movement to make research data Findable, Accessible, Interoperable and Reproducible. One of UiB’s brilliant research librarians, Jenny Ostrup, patiently helped me make the dataset from the Machine Vision project FAIR in 2022 – I wrote a little bit about that in my […]
Scott
Interesting — one of the local radio stations here is reading one page of a “found Boardwalk diary” each day. Could be the latest wave in reality media.
Anne
It reminds me of a film or documentary someone once made. I can’t recall any details except it was about finding someone’s address book in the street and then phoning all the contacts listed therein to build up a picture of one person’s life.
Sindre
Sadly, it’s now shut down
Jill
Ah. That would be because it was Slashdotted and it didn’t really prove too hard to find the owner of the photos. Who presumably DIDN’T want them on the internet. Neither would I.
nick
Clearly the right way to do this project would have been to take the photos yourself, pretend you found them, post them one at a time with “made up” comments as if you found them, and wait for the firestorm of controversy over the ethical and legal dimensions of your artwork to erupt. And then, as they would say on Slashdot, profit!
Matt Locke
The address book project mentioned above is by the fantastic french artist Sophie Calle. Called ‘l’homme au carnet’ it appeared as a series of interviews published daily in the french newspaper ‘le monde’. She approached people listed in the address book she found in the street, then published the interviews, building up an intriguing composite picture of the man who owned the book (some people were surprised they were in there, as they hardly knew him. Others were ex-friends and lovers).
Eventually, the man recognised himself (or heard of the project from friends) and called on le monde to stop it and make reparations. In a typically french compromise, Calle offered to expose herself in the same way she had exposed him, by printing naked pictures taken of her during her brief time as a burlesque dancer, in the same newspaper. The man accepted the proposal, and the pictures formed the final element of the project.
The best resource for Calle’s work is ‘did you see me?’ a collection of her work, incuding l’homme au carnet’, or ‘double game’, a collaboration with paul auster. Paul Auster used ‘l’homme…’, and others by sophie calle, for the oeuvre of a fictional character called ‘maria’ in his book ‘leviathan’. He also invented a few new works, so Calle created a new project to perform these invented works, closing the circle between the oeuvre of Calle herself and her fictional ‘double’ Maria.
Jill
Thanks Matt! Reading a fuller description I realise I *have* heard of this, but I’d forgotten the details and the names. I wonder whether the creator of Ifoundyourlife considered offering nude pics of himself in return for the breach of privacy?