jill/txt

29/6/2003

[offline]

So I’m half-packed, I finished the weblog definition, I bought my books for the plane, I mowed the lawn and gave the lady upstairs the spare key, I just have to do the dishes, vacuum the floors and put all the clothes on the floor into the suitcase. Oh, and book at taxi and get some sleep. This time tomorrow I’ll be asleep (I hope) at a renovated monastery in Provence, immersed in French, sipping martinis and wine and sampling gourmet food, all included in the price. Well, I suppose I won’t be sleeping and sipping at the same time, but you get the picture. The photos in the PDF brochure are best, but the website’s not bad. I’ll give you a review when I get home. After Provence and learning more French we’re off to the coast to meet heaps of family. It will be marvellous.

I’ll be back around July 28th. Enjoy your July! I’m sure I will :)

Filed under:General — Jill @ 00:41 [ Respond?]

28/6/2003

[final version of weblog definition]

This is the definition of “weblog” I’ve written for the Routledge Encyclopedia of Narrative Theory, which is forthcoming in 2005. It’s limited in size and scope: I had to keep to a maximum of 500 words, including the references, and I wrote it for an encyclopedia of narrative. The asterixes indicate cross references to other entries in the encyclopedia.

UPDATE 22/8: I received some useful feedback from the editors and have revised the definition accordingly. Since there are a lot of links to this post, I’m putting the final, final version here at the top of the post, and the draft I sent the editors in June is still here after the horisontal rule.

Weblog

A weblog, or *blog, is a frequently updated website consisting of dated entries arranged in reverse chronological order so the most recent post appears first (see temporal ordering). Typically, weblogs are published by individuals and their style is personal and informal. Weblogs first appeared in the mid-1990s, becoming popular as simple and free publishing tools became available towards the turn of the century. Since anybody with a net connection can publish their own weblog, there is great variety in the quality, content, and ambition of weblogs, and a weblog may have anywhere from a handful to tens of thousands of daily readers.

Examples of the *genre exist on a continuum from *confessional, online *diaries to logs tracking specific topics or activities through links and commentary. Though weblogs are primarily textual, experimentation with sound, *images, and videos has resulted in related genres such as photoblogs, videoblogs, and audioblogs (see intermediality; media and narrative).

Most weblogs use links generously, allowing readers to follow conversations between weblogs by following links between entries on related topics. Readers may start at any point of a weblog, seeing the most recent entry first, or arriving at an older post via a search engine or a link from another site, often another weblog. Once at a weblog, readers can read on in various orders: chronologically, thematically, by following links between entries or by searching for keywords. Weblogs also generally include a blogroll, which is a list of links to other weblogs the author recommends. Many weblogs allow readers to enter their own comments to individual posts.

Weblogs are serial and cumulative, and readers tend to read small amounts at a time, returning hours, days, or weeks later to read entries written since their last visit. This serial or episodic structure is similar to that found in *epistolary novels or *diaries, but unlike these a weblog is open-ended, finishing only when the writer tires of writing (see narrative structure).

Many weblog entries are shaped as brief, independent narratives, and some are explicitly or implicitly fictional, though the standard genre expectation is non-fiction. Some weblogs create a larger frame for the micro-narratives of individual posts by using a consistent rule to constrain their structure or themes (see Oulipo), thus, Francis Strand connects his stories of life in Sweden by ending each with a Swedish word and its translation. Other weblogs connect frequent but dissimilar entries by making a larger narrative explicit: Flight Risk is about an heiress’s escape from her family, The Date Project documents a young man’s search for a girlfriend, and Julie Powell narrates her life as she works her way through Julia Child’s cookbook.

See also: digital narrative; life story; thematic approaches to narrative

References and Further Reading

Anonymous (2002) The Date Project. <http://thedateproject.blogspot.com/>
Lejeune, Philippe (2000) “Cher écran…” Journal personnel, ordinateur, Internet, Paris : Seuil.
Strand, Francis (2003) How to Learn Swedish in 1000 Difficult Lessons. <http://francisstrand.blogspot.com/>
‘V., Isabella’ (2003) She’s a Flight Risk. <http://shes.aflightrisk.org>
Powell, Julie (2003) The Julie/Julia Project. <http://blogs.salon.com/0001399/>
(websites accessed August 2003)

Jill Walker
(501 words)


[original post follows]
Right, this is my final draft of my entry on weblogs for the Routledge Encyclopedia of Narrative Theory. I think I’ve got the most important things in, though I’m aching to write much more about lots of it - the social aspects and the network in particular - but I think this is probably what I want in a 500 word for people interested in narrative theory. I’ve added more about the style of writing and the soapbox aspect, as some of you suggested, but I’ve left in the first sentence about the formal qualities of the genre because I think that’s important. Anyway, I’ll read through it again in a few hours when I’ve packed and mowed the lawn and then I’ll send it off. :)

Weblog
A weblog, also known as a *blog, is a frequently updated website consisting of dated entries arranged in reverse chronological order so that the reader sees the most recent post first. The style is typically personal and informal. Freely available tools on the World Wide Web make it easy for anybody to publish their own weblog, so there is a lot of variety in the quality, content and ambition of weblogs, and a weblog may have anywhere from a handful to tens of thousands of daily readers. Weblogs first appeared in the mid-nineties and became more widely popular as simple and free publishing tools such as Blogger.com became available towards the turn of the century.

Examples of the genre exist on a continuum from online *diaries that relate the writer’s daily activities and experiences to less *confessional weblogs that comment and link to other material, discuss a particular theme or function as soapboxes. In addition to the dominant textual form of weblogs there are experiments with adding sound, images and videos to the genre, resulting in photoblogs, videoblogs and audioblogs.

Each entry in a weblog tends to link to further information. Weblog authors also link to other weblogs that have dealt with similar topics, allowing readers to follow conversations between weblogs by following links between entries on related topics. Readers may start at any point of a weblog, seeing the most recent entry first, or arriving at an older post via a search engine or a link from another site. Once reading a weblog, readers can read in several orders: chronologically, thematically or searching by keywords. Weblogs also generally include a blogroll, which is a list of links to other weblogs the author recommend, and many weblogs allow readers to enter their own comments to individual posts.

Weblogs are serial and cumulative, and readers tend to read small amounts at a time, returning hours, days or weeks later to read entries written since their last visit. This serial or episodic structure is similar to that found in *epistolary novels or *diaries, but unlike these a weblog is open ended, finishing only when the writer tires of writing.

Many weblog entries are shaped as brief, independent narratives. Some weblogs create a larger frame to these micro-narratives by using a consistent rule to constrain their writing. Francis Strand connects his stories of life in Sweden by ending each with a Swedish word and its translation. Other weblogs connect frequent but dissimilar entries by making a larger narrative explicit: The Date Project documents a young man’s search for a girlfriend, Julie Powell narrates her life as she works her way through Julia Child’s cookbook while Flight Risk is about an heiress’s escape from her family.

Further Reading
Anonymous (2002) The Date Project. http://thedateproject.blogspot.com/
Lejeune, Philippe (2000) “Cher écran…” Journal personnel, ordinateur, Internet. Paris: Éditions du Seuil.
Strand, Francis (2003) How to Learn Swedish in 1000 Difficult Lessons. http://francisstrand.blogspot.com/
V., Isabella (2003) She’s a Flight Risk. http://shes.aflightrisk.org
Powell, Julie (2003) The Julie/Julia Project. http://blogs.salon.com/0001399/

(500 words)

[Should be revised before publication as more relevant literature will probably be published in the next year or so. Uncertain about including references to actual weblogs – since URLs may well change, perhaps it is better to simply give the author and title in the text, and readers can search themselves to see if the weblog is still online? Could raise question of fictionality at end of this entry (readers assume authenticity, anger at fictions, hoaxes, discussions about obligation to tell the truth and so on) but to do that I’d need to cut out something else. Isabella V. is the pseudonym of the woman who writes Flight Risk, or depending on how you see it, Isabella V. is the name of the narrator and the author is anonymous – so I’m not sure how to cite that reference?]

Filed under:blog theorising — Jill @ 20:18 [ Responses (56)]

27/6/2003

[languid]

I’m listening to the very languid mix tape (well, CD) that Alex gave me when he was in town, and I’m drinking beer, and enjoying the cooling late evening rays of sun shining through the window and onto my shoulder, and rewriting the blog entry for the Routledge Encyclopedia of Narrative Theory. Thanks for your feedback! And don’t worry, I’ll rewrite it again tomorrow, sans beer, before scooting off for my month in France.

Filed under:none of the above — Jill @ 21:59 [ Respond?]

[new mac?]

Our Mac consultant is brilliant. Yesterday I told him I finally got the faculty to approve getting me a new Mac. “So what kind do you want?” he asked. “I was thinking a 12 inch powerbook with a nice external screen and wireless and extra RAM and a bigger harddrive”, I said, hopefully. Diego smiled, quietly, and today sent me an email suggesting that this might be what I was looking for. I’ll take the room as well!

Filed under:none of the above — Jill @ 21:51 [ Responses (7)]

26/6/2003

[first draft is full of holes]

I haven’t finished writing this but my head is aching and all my muscles are screaming at me to get OUT OF THIS OFFICE and so I’ll post this unfinished draft anyway. It’s for the Routledge Encyclopedia of Narrative Theory, as I mentioned in the previous post. Feedback would be very welcome - oh, and there can be up to eight bibliographical references, and that’s really hard to find. Anything I’ve missed? Is Steve’s paper published anywhere?

Weblog

A weblog, also known as a *blog, is a frequently updated website consisting of dated posts arranged in reverse chronological order so that the reader sees the most recent post first. Weblogs are usually personal but the form is also used by companies, groups and communities. The first weblogs appeared on the World Wide Web in the mid-nineties, and the genre became widely popular around the turn of the century, when free web services allowed novice users to easily sign up and publish their own weblogs by choosing a template, typing each post into a web form and pressing a button labeled “publish”. In addition to the dominant textual form of weblogs there are experiments with adding sound, images and videos to the genre, resulting in photoblogs, videoblogs and audioblogs.

Examples of the genre can be placed on a continuum from online *diaries that relate the writer’s daily activities and experiences to less *confessional weblogs that comment and link to other material or that discuss a particular theme. Newspapers have included weblogs in their online versions and many weblogs have a strong journalistic flavour.

Weblogs are serial and cumulative, and readers tend to read small amounts at a time, returning hours, days or weeks later to read entries that have been written since their last visit. This serial or episodic structure is similar to that found in *epistolary novels or *diaries, but unlike these a weblog is open ended, finishing only when the writer tires of writing.

In addition to the serial form, weblogs are characterised by their use of links. Most weblog posts stem from a concrete experience: something the writer has read, heard about, done or seen. [more on links, also blogthreads and conversations between blogs, and possibly comments and trackbacks

Many weblog entries are shaped as brief, independent narratives. [e.g. Julia/Julie, Francis Strand, connect to me and Steve]

Projects, macronarratives – Flight Risk, The Date Project…

Weblogs are a new phenomenon and there is as yet little formal scholarship on the genre, though there are an increasing number of conference papers on the topic as well as discussions of the genre and its narrativity in weblogs. The best way to explore the weblog genre is to move from one to another using the links between them until you find one or more than you appreciate. [might not be quite appropriate for this kind of piece]

Further Reading

Lejeune, Philippe (2000) “Cher écran…” Journal personnel, ordinateur, Internet. Paris: Éditions du Seuil.
Rodzvilla, John (ed.) (2002) We’ve Got Blog: How Weblogs are Changing Our Culture. Cambridge, MA: Perseus Publishing.
Mortensen, Torill and Walker, Jill (2002) ‘Blogging Thoughts’
(about 450 words)

Filed under:blog theorising — Jill @ 19:04 [ Responses (8)]

[writing a definition]

I’m writing a 500 word definition of weblog for the forthcoming Routledge Encyclopedia of Narrative. I’ve been thinking about it for weeks but have only half-written it - my plan is to finish a draft this afternoon and post it here, and hopefully, some of you trusty, wonderful, talkative, intelligent and knowledgeable readers might have some comments? The example the editors have provided of one of the 500 word contributions is for the word obituary, which has a richness, history and theory I must admit I had not previously considered. And I also have to think about cross-references to some of the other entries in the encyclopedia. OK, down to work now.

Filed under:blog theorising — Jill @ 17:16 [ Responses (1)]

[peppermint tea]

This morning I walked through the wet grass in my tiny garden to pick a sprig of disobedient peppermint, growing everywhere but where I planted it. I took the peppermint back into the kitchen, put it into a chipped ceramic cup that was one of the wedding presents I salvaged from the divorce, and poured boiling water over it. Peppermint floats so beautifully in a spacious cup of hot water, and the water stays see-through clear as the smell rises to my nostrils. I carried my cup of peppermint tea into the garden and sat soaking up the sun, wriggling my toes in delight at the warmth. Peppermint tea tastes of summer and of autumn rain before the frost beats the last stalks of mint down into the wet earth.

The rose bush is huge and leering, half the buds rotten after so much rain, but the herbs are happy. The lavendar is just beginning to bloom, and the rosemary bush is celebrating its survival of an unwatered winter in the cellar by pushing out new little shoots. The oregano is a bright green bush of hair that hasn’t grown more than ten centimetres yet, and the thyme tickles my toes which poke out from the steps.

Most of the year I would much prefer a garden that had herbs growing in every month. But in June I’m happy here.

Filed under:fiction and stories — Jill @ 15:59 [ Responses (8)]

[opportunity]

Look, he’s serious! And so incredibly honest about it! From today’s email:

I am interested in buying text link advertising promoting my internet pharmacy off of your website. The links would not have to be in a very prominent place on the website, as I am not looking for traffic from your site. I am looking to increase my PageRank in google.

I am looking to place about 5 – 10 links.

If this opportunity interests you, then please respond.

Perhaps this is incredibly common, but I’ve never received such a proposition before. I did write a paper about it, though: Links and Power: the Political Economy of Linking on the Web.

Filed under:links and power — Jill @ 14:55 [ Responses (3)]

25/6/2003

[cfp: blog collection]

I hadn’t seen this CFP before, for some reason: it’s calling for 250 word abstracts about blogs, and accepted abstracts will go to 3000 word papers that will be compiled into a peer-reviewed, web collection edited by Clancy Ratliff (who’s doing a PhD on gender and blogging) and other people at the University of Minnesota. The deadline for abstracts is in five days time. Perhaps I’ll submit an abstract analysing what encourages comments in blogs. Ha.

Filed under:blog theorising — Jill @ 10:24 [ Responses (7)]

24/6/2003

[moods and comments]

When I’m happy, my blog posts get lots of comments. When I’m grumpy, there are no comments at all. I’ve been tracking this hypothesis over the last weeks, and it appears to be foolproof: the correlation between my mood and the number of comments is absolute.

Obviously there must be a difference in the way I write when I’m happy compared to when I’m grumpy. I can’t see it myself, though, and I’m not sure I can quite stomach the thought of doing a thorough analysis.

I’d love to hear from others though: does the same axiom hold for your moods, blog posts and comments?

Filed under:blog theorising — Jill @ 13:20 [ Responses (24)]

[blogcount]

Blogcount tries to work out that notoriously difficult sum: How many blogs are there? (via Lisbeth)

Filed under:blog theorising — Jill @ 13:16 [ Respond?]

23/6/2003

[females are cheaper]

Female EverQuest avatars for sale at ebay are significantly cheaper than male equivalents. Edward Castranova, who wrote a fascinating paper about the economy of EverQuest last year, has just published a paper about this too: The Price of ‘Man’ and ‘Woman’: A Hedonic Pricing Model of Avatar Attributes in a Synthethic World. The avatar’s level is more important than its gender, but if you compare male and female avatars at about the same level, the females are about 10-15% cheaper. Castronova also notes (in the final paragraph of the full pdf) that the Earth value (i.e. what you get for them in RL dollars at ebay) of EverQuest assets is decining with the increased number of attractive synthetic worlds other than EverQuest.

This makes perfect economic sense, and, in this study, appeared in the form of price discounts for EverQuest avatars as their owners emigrated from EverQuest to other synthetic worlds. A broader implication appears when one thinks of Earth as just another alternative reality world in this market. If humans spend more of their time in synthetic worlds in the computer, they will have less interest in whatever assets they have on Earth. The data here suggest that the value of Earth assets is likely to fall substantially as human consciousness melds gradually into the machine.

The seriousness of the economics (at least it appears so to a non-economist like me) combined with the outrageousness of the claims made on the basis of apparently calm study is amazingy seductive, don’t you find? (via Many-to-many)

Filed under:General — Jill @ 15:29 [ Responses (7)]

[defence description]

Torill has posted a beautiful description of Lisbeth’s defence, and Lisbeth describes it herself, too. There’s even a video to watch of the actual diploma being handed over!

Filed under:events — Jill @ 15:08 [ Respond?]

[how to fake french]

The wife of a Frenchman let me in on a secret method of holding up your side in a conversation in French even when you can hardly speak the language. You simply need three phrases:

- C’est vrai!

This mean’s “It’s true”, and can be said in many different intonations for varied effect.

- Ce n’est pas pareil.

Now this would often be accompagnied by a shake of the head and a concerned look, and it means that “It’s not the same”, or less directly, “but that’s different”. Your final phrase is

- Je ne suis pas d’accord.

This one means “I don’t agree”, and it’s the most daring aspect of the cunning ploy. It seems risky, doesn’t it? Hearing this phrase, I immediately asked the Frenchman’s wife what on earth you do if your conversation partner calls you on this. How on earth are you going to explain why you disagree?

Well, that’s where the utter genius of this three-phrase plan comes into play. You simply go back to your second phrase, shake your head and say

- Ce n’est pas pareil.

The Frenchman’s wife swears that this simple technique has got her through years of communicating with her inlaws. And if that’s true, I reckon it’ll hold up for my July in France.

Of course, there’s always the possibility that I’ll actually be able to follow a French conversation without faking it.

Filed under:none of the above — Jill @ 15:01 [ Responses (9)]

20/6/2003

[dr lisbeth!]

Today Lisbeth’s defending her PhD thesis on virtual worlds! I wish I could be there, but at any rate, Torill promised me she’ll blog it. Lisbeth’s a bit nervous, but she’ll be fine: she does wonderful work, has strong ideas and will do wonderfully. Defining her strengths as an academic seems like a great thing to do before a defence, and it’s standard to feel like a phoney. Oh, and those French poststructuralists her thesis doesn’t discuss? Well, they’re so twentieth century, darling, don’t worry about them.

You’ll be great, Lisbeth. Dr Lisbeth this afternoon! Yay!

Filed under:events — Jill @ 09:05 [ Respond?]
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this season on jill/txt

I'm Jill Walker Rettberg, an associate professor at the University of Bergen, and I do research on how people tell stories online. I'm affiliated with the Department of Linguistic, Literary and Aesthetic Studies. I've been a research blogger since October 2000.

I'm usually best contacted by email.

Jill Walker Rettberg
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